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rating 9,3 / 10 Star. countries USA, Canada. writers Sam Mendes, Krysty Wilson-Cairns. 1Hour 59 M. Directed by Sam Mendes. movie info April 6, 1917. On a battlefield in Northern France, Lance Corporal Tom Blake with the British Army is asked to choose one of his battalion colleagues to join him on an assignment, he choosing his best friend, Lance Corporal Will Schofield. It isn't until Blake chooses Schofield that they learn of the dangerous nature of the mission: to hand deliver a message to Colonel MacKenzie leading another nearby battalion, they having to cross no man's land to what they have been told are now the abandoned German trenches to get to MacKenzie just past the nearby town of Écoust. The message, which must reach its destination by dawn tomorrow, is for MacKenzie to abort his troop's attack then on the supposedly retreating Germans who are in reality lying in wait, the Germans having planned this deception for months. The lives of MacKenzie and his 1,600 men are at risk if the message does not make it through in time, one of those men being Blake's brother, Lt. Joseph Blake. Blake and Schofield's stories as it pertains to them as soldiers in the bigger picture of the war, as soldiers trying to stay alive, as friends, and as human beings who have their own motivations are told for as long as they are able to survive on this mission.
Lunchbreak uploads 👍🏽. GOD BLESS YOU. Those who don't study history are doomed to repeat it. 1917 命をかけた伝令 Free watch. The scene with the woman and baby gave me anxiety when I was watching in theater. 9.5/10 - Just go watch it. 1917 命をã‹ã‘ãŸä¼ä» Free watch online. 
Coming from a marvel fan, this movie is ten times better than Endgame. Something about this film is tragic yet incredibly beautiful. Wow, that terminator movie seems good, I'll watch it. and pls bring us some good piece. it spirals down since the 3rd sequel. I've always been a nerd when it comes to historical wars. I enjoyed this film on the grounds that it tells the story with the gloves off. I felt invested because I felt like I was truly there with the characters. Saving Private Ryan similarities in the editing and storytelling. Highly recommend.
1917 命をã‹ã‘ãŸä¼ä» Free watch tv. 1917 UK theatrical release poster Directed by Sam Mendes Produced by Sam Mendes Pippa Harris Jayne-Ann Tenggren Callum McDougall Brian Oliver Written by Krysty Wilson-Cairns Starring George MacKay Dean-Charles Chapman Mark Strong Andrew Scott Richard Madden Claire Duburcq Colin Firth Benedict Cumberbatch Music by Thomas Newman Cinematography Roger Deakins Edited by Lee Smith Production company DreamWorks Pictures Reliance Entertainment New Republic Pictures Mogambo Neal Street Productions Amblin Partners Distributed by Universal Pictures (United States) Entertainment One Films (United Kingdom) Release date 4 December 2019 (London) 25 December 2019 (United States) 10 January 2020 (United Kingdom) Running time 119 minutes [1] Country United Kingdom United States Language English Budget $90–100 million [2] [3] Box office $363. 8 million [4] [5] 1917 is a 2019 British epic war film directed, co-written, and produced by Sam Mendes. The film stars George MacKay and Dean-Charles Chapman, with Mark Strong, Andrew Scott, Richard Madden, Claire Duburcq, Colin Firth and Benedict Cumberbatch in supporting roles. It is based in part on an account told to Mendes by his paternal grandfather, Alfred Mendes. [6] The film tells the story of two young British soldiers during the First World War who are ordered to deliver a message calling off an attack doomed to fail soon after the German retreat to the Hindenburg Line during Operation Alberich in 1917. This message is especially important to one of the young soldiers, as his brother is taking part in the pending attack. The project was officially announced in June 2018, with MacKay and Chapman signing on in October and the rest of the cast the following March. Filming took place from April to June 2019 in the UK, with cinematographer Roger Deakins and editor Lee Smith using long takes to have the entire film appear as one continuous shot. [7] [8] [9] 1917 premiered in the UK on 4 December 2019 and was released theatrically in the United States on 25 December by Universal Pictures and in the United Kingdom on 10 January 2020 by Entertainment One Films. The film received praise for Mendes's direction, the performances, cinematography, musical score, editing, sound design, and realism. Among its accolades, the film received ten nominations at the 92nd Academy Awards, including Best Picture and Best Director, and won three, including Best Cinematography. It also won Best Motion Picture – Drama and Best Director at the 77th Golden Globe Awards, and at the 73rd British Academy Film Awards won a leading seven, including Best Film and Best Direction. It also won the Producers Guild of America Award for Best Theatrical Motion Picture, and Mendes won the Directors Guild of America Award for Outstanding Directing – Feature Film. Plot [ edit] On 6 April 1917, aerial reconnaissance has observed that the German army, which has pulled back from a sector of the Western Front in northern France, is not in retreat but has made a strategic withdrawal to the new Hindenburg Line, where they are waiting to overwhelm the British with artillery. In the British trenches, with field telephone lines cut, two young British soldiers, Lance Corporals William Schofield, a veteran of the Somme, and Tom Blake, are ordered by General Erinmore to carry a message to Colonel Mackenzie of the Second Battalion of the Devonshire Regiment, calling off a scheduled attack that would jeopardise the lives of 1, 600 men, including Blake's brother Lieutenant Joseph Blake. Schofield and Blake cross no man's land to reach the abandoned German trenches. In an underground barracks, they discover a booby-trap tripwire, which is promptly triggered by a rat. The explosion almost kills Schofield, but Blake saves him, and the two escape. They arrive at an abandoned farmhouse, where they witness a German plane being shot down. Schofield and Blake rescue the German pilot from the burning plane. However, the pilot stabs Blake and is shot dead by Schofield. Schofield comforts Blake as he dies, promising to complete the mission and to write to Blake's mother. Schofield is then picked up by a passing British unit. A destroyed canal bridge near Écoust-Saint-Mein prevents the British lorries from crossing. Schofield chooses to part with them at the bridge, but before he does, one of the unit's officers Captain Smith, warns Schofield that Colonel Mackenzie is someone who would rather fight than follow orders. He then uses what is left of the bridge to cross alone, and quickly comes under fire from a German sniper. He and the sniper shoot each other simultaneously; the sniper is killed, while Schofield is knocked unconscious. He regains consciousness at night, and finds the town in flames. He encounters another German soldier, and escapes by hiding in the basement of an abandoned building, where he stumbles into the hiding place of a French woman with an infant. She treats his wounds, and he comforts the infant by reciting "The Jumblies" by Edward Lear, giving the woman his canned food and milk from the farm. Despite her pleas, Schofield leaves soon after, realising that it is morning. After strangling one German soldier and pushing past another who is inebriated, he escapes by jumping into a river. He is swept over a waterfall before reaching the riverbank. In the forest, he finds D Company of the 2nd Devons, which is in the last wave of the attack. As the company starts to move toward the front, Schofield tries to reach Colonel Mackenzie. Realising that the trenches are too crowded for him to make it to Mackenzie in time, Schofield sprints across the open battlefield, just as the infantry begins its charge. He forces his way into meeting Mackenzie, who reads the message and reluctantly calls off the attack. Mackenzie says that, while the cancellation offers a temporary reprieve, command will likely change its orders in a week. Schofield is told that Joseph was in the first wave, and he searches for him among the wounded, finding him unscathed. Joseph is upset to hear of his brother's death, but thanks Schofield for his efforts. Schofield gives Joseph his brother's rings and dog tag, and asks to write to their mother about Blake's heroics, to which Joseph agrees. Exhausted, Schofield sits under a tree, looking at photographs of his wife and two daughters. Cast [ edit] Production [ edit] Development and casting [ edit] Amblin Partners and New Republic Pictures were announced to have acquired the project in June 2018, with Sam Mendes directing, and co-writing the screenplay alongside Krysty Wilson-Cairns. [10] Tom Holland was reported to be in talks for the film in September 2018, though ultimately was not involved, [11] and in October, Roger Deakins was set to reunite with Mendes as cinematographer. [12] George MacKay and Dean-Charles Chapman entered negotiations to star the same month. [13] Thomas Newman was hired to compose the score in March 2019. [14] The same month, Benedict Cumberbatch, Colin Firth, Mark Strong, Richard Madden, Andrew Scott, Daniel Mays, Adrian Scarborough, Jamie Parker, Nabhaan Rizwan, and Claire Duburcq joined the cast in supporting roles. [15] Writing [ edit] In August 2019, Mendes stated, "It's the story of a messenger who has a message to carry. And that's all I can say. It lodged with me as a child, this story or this fragment and obviously I've enlarged it significantly. But it has that at its core. " [16] In Time in 2020, Mendes stated that the writing involved some risk-taking: "I took a calculated gamble, and I'm pleased I did because of the energy you get just from driving forward (in the narrative), in a war that was fundamentally about paralysis and stasis. " The ideas for a script, which Mendes wrote with Krysty Wilson-Cairns, came from the story that Mendes's grandfather, Alfred Mendes, a native of Trinidad who was a messenger for the British on the Western Front, had told him. [17] Mendes stated: "I felt an obligation to honour my grandfather. It's important to remember they were fighting for a free and unified Europe. Good to be reminded of that now. " [18] Filming [ edit] Roger Deakins was the cinematographer for the film, reuniting with Mendes for their fourth collaboration, having first worked together on Jarhead in 2005. [17] Filming was accomplished with long takes and elaborately choreographed moving camera shots to give the effect of two continuous takes. [7] [8] Although media accounts often refer to the story as being told in only one shot, [19] [20] the story cuts to black one hour and six minutes into the film, when Schofield is knocked unconscious, and fades in upon his regaining consciousness after night has fallen. [9] Mendes explained, "it was to do with the fact that I wanted the movie to go from afternoon to dusk, and then from night into dawn. I wanted it to be in two movements... I wanted to take it somewhere more like a hallucination. Somewhere more surreal, almost dream-like. And horrifying too". [7] 1917 was the first film to be shot with the Arri Alexa Mini LF digital cinema camera. Deakins wanted to use a camera with a large format image sensor, but thought that the original Alexa LF was too large and heavy to capture the intimate shots he wanted. Arri provided him with a prototype of the Mini LF two months before filming was set to begin, and two more cameras a week before. [21] [22] His lenses were Arri Signature Primes, of which he used three focal lengths: a 40 mm lens for most of the film, a wider 35 mm for scenes in the tunnels and bunkers, to emphasise feelings of claustrophobia, [22] and a narrower 47 mm in the river, to lose some of the background. [23] Filming began on 1 April 2019 and continued through June 2019 in Wiltshire, Hankley Common in Surrey and Govan, Scotland, as well as at Shepperton Studios. [24] [25] [26] [27] Concern was raised about filming on Salisbury Plain by conservationists who felt the production could disturb potentially undiscovered remains, requesting a survey before any set construction began. [28] [29] Some shots required the use of as many as 500 background extras. [2] Sections of the film were also shot near Low Force, on the River Tees, Teesdale in June 2019. The production staff had to install signs warning walkers in the area not to be alarmed at the prosthetic bodies strewn around the site. [30] Music [ edit] Release [ edit] The film premiered on 4 December 2019 at the 2019 Royal Film Performance. [31] The film began a limited release in the United States and Canada on 25 December 2019 in eleven venues. This made it eligible for 2020 awards, including the 77th Golden Globes, held on 5 January 2020, where the film won both the Golden Globe for Best Dramatic Motion Picture and Best Director for Mendes. [32] Home media [ edit] 1917 is scheduled to be released on Digital HD on 10 March 2020 and on DVD, Blu-ray, and Ultra HD Blu-ray on 24 March 2020. [33] Reception [ edit] Box office [ edit] As of 6 March 2020, 1917 has grossed $157. 3 million in the United States and Canada and $206. 5 million in other countries, for a worldwide total of $363. 8 million, [4] against a production budget of $90–100 million. [2] [3] In the US, the film made $251, 000 from 11 venues on its first day of limited release. [34] It went on to have a limited opening weekend of $570, 000, and a five-day gross of $1 million, for an average of $91, 636 per-venue. [35] The film would go on to make a total of $2. 7 million over its 15 days of limited release. It then expanded wide on 10 January, making $14 million on its first day, including $3. 25 million from Thursday night previews. It went on to gross $36. 5 million for the weekend (beating the original projections of $25 million), becoming the first film to dethrone Star Wars: The Rise of Skywalker at the box office. [36] In its second weekend of wide release the film made $22 million (and $26. 8 million over the four-day Martin Luther King Jr. Day holiday), finishing second behind newcomer Bad Boys for Life. [37] It then made $15. 8 million and $7. 7 million the following two weekends, remaining in second both times. [38] [39] The weekend of the Academy Awards the film made $9. 2 million, and the weekend after its three wins made $8. 1 million. [40] [41] Critical response [ edit] Professional ratings Aggregate scores Source Rating Metacritic 78/100 [42] Rotten Tomatoes 89% [43] Review scores Source Rating Empire [44] The Guardian [45] On review aggregation Rotten Tomatoes, the film holds an approval rating of 89% based on 398 reviews, with an average rating of 8. 38/10. The website's critics consensus reads, "Hard-hitting, immersive, and an impressive technical achievement, 1917 captures the trench warfare of World War I with raw, startling immediacy". [43] Metacritic assigned the film a weighted average score of 78 out of 100 based on 57 critics, indicating "generally favorable reviews". [42] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale, and PostTrak reported it received an average 4. 5 out of 5 from viewers, with 69% of people saying they would definitely recommend it. [36] Several critics named the film among the best of 2019, including Kate Erbland of IndieWire [46] and Sheri Linden of The Hollywood Reporter. [47] Karl Vick, writing for Time magazine, found the film to stand up favourably when compared to Stanley Kubrick 's WWI film Paths of Glory, stating, "motion pictures do require a certain amount of motion, and the major accomplishment of 1917, the latest film to join the canon, may be that its makers figured out what the generals could not: a way to advance. " [17] Rubin Safaya of described the movie as "a visceral experience and visual masterclass". [48] Writing for the Hindustan Times, Rohan Naahar stated, "I can only imagine the effect 1917 will have on audiences that aren't familiar with the techniques Sam Mendes and Roger Deakins are about to unleash upon them. " [49] In his review for NPR, Justin Chang was less positive. He agreed the film was a "mind-boggling technical achievement" but did not think it was that spectacular overall, as Mendes's style with its impression of a continuous take "can be as distracting as it is immersive". [50] Top ten lists [ edit] 1917 appeared on many critics' year-end top-ten lists: [51] 1st – Sam Allard, Cleveland Scene [52] 1st – Johnny Oleksinski, New York Post [53] 1st – Tim Miller, Cape Cod Times [54] 1st – Lawrence Toppman, The Charlotte Observer [55] 1st – Mal Vincent, The Virginian-Pilot [56] 1st – Sandy Kenyon, WABC-TV [57] 2nd – Randy Myers, The Mercury News [58] 3rd – Matt Goldberg, Collider [59] 3rd – Jason Rantz, KTTH [60] 3rd – Mara Reinstein, Us Weekly [61] 3rd – Chuck Yarborough, Cleveland Plain Dealer [62] 4th – Lindsey Bahr, Associated Press [63] 4th – Benjamin Lee, The Guardian [64] 4th – Brian Truitt, USA Today [65] 5th – Staff consensus, Consequence of Sound [66] 5th – Bruce Miller, Sioux City Journal [67] 6th – Cary Darling, Houston Chronicle [68] 6th – Peter Travers, Rolling Stone [69] 6th – Ethan Alter, Marcus Errico and Kevin Polowy, Yahoo! Entertainment [70] 6th – Chris Bumbray, JoBlo [71] 6th – Peter Howell, Toronto Star [72] 7th – David Crow, Den of Geek [73] 7th – Tom Gliatto, People [74] 8th – Todd McCarthy, The Hollywood Reporter [75] 8th – Jeffrey M. Anderson, San Francisco Examiner [76] 8th – Anita Katz, San Francisco Examiner [76] 8th – Col Needham, IMDb [77] 9th – Richard Whittaker, The Austin Chronicle [78] 9th – Dann Gire, Chicago Daily Herald [79] 9th – Mike Scott, New Orleans Times-Picayune [80] 10th – Max Weiss, Baltimore Magazine [81] Accolades [ edit] 1917 received ten nominations at the 92nd Academy Awards, winning for Visual Effects, Sound Mixing, and Cinematography. [82] It received three nominations at the 77th Golden Globe Awards and won two awards: for Best Motion Picture – Drama and Best Director. [83] It also received eight nominations at the 25th Critics' Choice Awards, winning three awards, including Best Director, [84] and nine nominations at the 73rd British Academy Film Awards, winning the most awards — seven, including Best Film, Best Director and Outstanding British film. [85] [86] It was chosen by the National Board of Review and the American Film Institute as one of the top ten films of the year. [87] [88] Historical accuracy [ edit] British soldiers following up the Germans near Brie, March 1917 The film was inspired by Operation Alberich, a German withdrawal to new positions on the shorter and more easily defended Hindenburg Line that took place between 9 February and 20 March 1917. [89] However, the main and supporting characters all appear to be fictional. [90] Writing in the New York Times, Cathy Tempelsman argues that the storyline offers a "dangerously misleading" picture of the War, suggesting "a concern for the sanctity of human life from the top down", whereas the reality was "an appalling indifference as the British high command sent hundreds of thousands of their young men to die". She adds that the "false heroics and filmmaking feats of wonder" serve to provide an "escape from the true carnage of the 'Great War'", and that in reality the scale of the casualties was such that the potential loss of 1, 600 men would not have excited the response portrayed in the film. [91] According to military historian Jeremy Banning, "It made no sense, as the film depicts, to have some battalions nine miles beyond the former German line and others seemingly unaware of whether this line was manned.... As for the assault by the Devons, no unit would attack without adequate artillery support". [92] The number of black soldiers serving in the British Army (rather than colonial regiments) during the World War I is unknown but is likely to have been negligible. The Devonshire Regiment was never brigaded with any West Indian or African units (it spent the war in 8th Division). Over 15, 000 men from the Caribbean enlisted, including black Caribbeans living in Britain, and by 1915 it was decided to group them together into a single regiment, named the British West Indies Regiment. [93] [94] [95] Indian Sikhs would have served in their own regiments as part of the British Indian Army, not as individuals in the ranks of British regiments and Corps. By 1917 the Indian infantry had been withdrawn from the Western Front and sent to the Middle East; the Indian cavalry remained. [93] [96] See also [ edit] Real time Dunkirk All Quiet on the Western Front List of World War I films References [ edit] ^ "1917". British Board of Film Classification. 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"Top Movies of 2019: 'Hustlers, ' 'Avengers: Endgame' and More". US Weekly. Retrieved 15 December 2019. ^ Yarborough, Chuck (23 December 2019). " ' Rocketman, ' 'Tolkien, ' '1917' among year's best: Chuck Yarborough PD critics' picks 2019". Cleveland Plain Dealer. Archived from the original on 24 December 2019. Retrieved 24 December 2019. ^ " ' Once Upon a Time, ' 'Portrait' top AP's 2019 best films list". AP NEWS. 5 December 2019. Retrieved 15 December 2019. ^ Lee, Benjamin. "The 50 best films of 2019 in the US: No 4 – 1917". Retrieved 22 December 2019. ^ Truitt, Brian. "The 10 best movies of 2019 definitively ranked, from 'Avengers: Endgame' to 'Jojo Rabbit ' ". USA TODAY. Archived from the original on 16 December 2019. Retrieved 15 December 2019. ^ "Top 25 Films of 2019". 9 December 2019. Retrieved 15 December 2019. ^ Miller, Bruce. "The Best Films of 2019: 'Hollywood, ' 'Marriage Story' and 'Parasite' top list". Sioux City Journal. Archived from the original on 23 December 2019. 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Retrieved 1 January 2020. ^ Needham, Col. "Col Needham's Best Movies of 2019". Retrieved 22 December 2019. ^ Whittaker, Richard (20 December 2019). "Richard Whittaker's Top 10 Films of 2019". Austin Chronicle. Archived from the original on 20 December 2019. Retrieved 22 December 2019. ^ Gire, Dann (28 December 2019). " ' Parasite, ' 'Little Women' and 'Marriage Story' lead list of 2019's best films". Daily Herald. Retrieved 3 January 2020. ^ writer, MIKE SCOTT | Contributing. "The best movies of 2019: Movie critic Mike Scott unveils his favorite films of the year".. Retrieved 1 January 2020. ^ magazine, Baltimore (13 December 2019). "My Favorite Films of 2019". Baltimore magazine. Retrieved 15 December 2019. ^ Rottenberg, Josh (13 January 2020). " ' Joker' tops this year's Oscar nominations, with '1917, ' 'Irishman, ' 'Once Upon a Time' close behind". Los Angeles Times. Archived from the original on 13 January 2020. Retrieved 13 January 2020. ^ Bisset, Jennifer (5 January 2020). "Golden Globes 2020: The full winners list". CNET. Archived from the original on 6 January 2020. Retrieved 9 January 2020. ^ Malkin, Marc (8 December 2019). "Critics' Choice: 'The Irishman, ' 'Once Upon a Time in Hollywood' Lead Movie Nominations". Retrieved 8 December 2019. ^ Ritman, Alex (6 January 2020). "BAFTA Nominations: 'Joker' Leads the Pack". Archived from the original on 7 January 2020. Retrieved 7 January 2020. ^ Brown, Mark (2 February 2020). "Baftas 2020: Sam Mendes and 1917 emerge victorious with seven awards". Retrieved 3 February 2020. ^ Lewis, Hilary (3 December 2019). " ' The Irishman' Named Best Film by National Board of Review". Archived from the original on 5 December 2019. Retrieved 4 December 2019. ^ "AFI AWARDS 2019 Honorees Announced". American Film Institute. Retrieved 4 December 2019. ^ "Operation Alberich, the campaign that inspired Sam Mendes' 1917".. ^ "1917 was Inspired by a True Story Sam Mendes' Grandfather Told to Him". History vs. Hollywood. ^ Tempelsman, Cathy (8 February 2020). " ' 1917' Turns a Horrific War Into an Uplifting Hero's Journey". New York Times. Retrieved 11 February 2020. ^ " " A staggering tour de force – but an opportunity missed": a historian's review of the film 1917". HistoryExtra. 14 January 2020. ^ a b "Fact-checking 1917: how historically accurate is Sam Mendes's First World War film? ". The Daily Telegraph. 10 February 2020. ^ Storm, Eric; Tuma, Ali Al (22 December 2015). Colonial Soldiers in Europe, 1914–1945: "Aliens in Uniform" in Wartime Societies. pp. 97–102. ISBN 9781317330981. ^ "How accurate is Sam Mendes's film, 1917? ". The Times. 6 January 2020. ^ "India and the Western Front". BBC – History. External links [ edit].
1917 命をã‹ã‘ãŸä¼ä» Free watch the trailer. 1917 命をかけた伝令 Free watch video. We need this. Been waiting for a good one since Private Ryan. Fingers crossed 🤞. 
T he recent run of World War I centennial anniversaries led to a spike in interest in the conflict, which ended in 1918, and Hollywood has been no exception. The few critically acclaimed Great War movies, such as All Quiet on the Western Front (1930) and Sergeant York (1941), were joined in 2018 by Peter Jackson’s documentary They Shall Not Grow Old. On Christmas Day, that list will get a new addition, in the form of Sam Mendes’ new film 1917. The main characters are not based on real individuals, but real people and events inspired the movie, which takes place on the day of April 6, 1917. Here’s how the filmmakers strove for accuracy in the filming and what to know about the real World War I history that surrounded the story. Get our History Newsletter. Put today's news in context and see highlights from the archives. Thank you! For your security, we've sent a confirmation email to the address you entered. Click the link to confirm your subscription and begin receiving our newsletters. If you don't get the confirmation within 10 minutes, please check your spam folder. The real man who inspired the film The 1917 script, written by Mendes and Krysty Wilson-Cairns, is inspired by “fragments” of stories from Mendes’ grandfather, who served as a “runner” — a messenger for the British on the Western Front. But the film is not about actual events that happened to Lance Corporal Alfred H. Mendes, a 5-ft. -4-inch 19-year-old who’d enlisted in the British Army earlier that year and later told his grandson stories of being gassed and wounded while sprinting across “No Man’s Land, ” the territory between the German and Allied trenches. In the film, General Erinmore (Colin Firth) orders two lance corporals, Blake (Dean-Charles Chapman) and Schofield (George MacKay), to make the dangerous trek across No Man’s Land to deliver a handwritten note to a commanding officer Colonel Mackenzie (Benedict Cumberbatch), ordering them to cancel a planned attack on Germans who have retreated to the Hindenburg Line in northern France. Life in the trenches The filmmakers shot the film in southwestern England, where they dug about 2, 500 feet of trenches — a defining characteristic of the war’s Western Front — for the set. Paul Biddiss, the British Army veteran who served as the film’s military technical advisor and happens to have three relatives who served in World War I, taught the actors about proper techniques for salutes and handling weapons. He also used military instruction manuals from the era to create boot camps meant to give soldiers the real feeling of what it was like to serve, and read about life in the trenches in books like Max Arthur’s Lest We Forget: Forgotten Voices from 1914-1945, Richard van Emden’s The Last Fighting Tommy: The Life of Harry Patch, Last Veteran of the Trenches, 1898-2009 (written with Patch) and The Soldier’s War: The Great War through Veterans’ Eyes. He put the extras to work, giving each one of about three dozen tasks that were part of soldiers’ daily routines. Some attended to health issues, such as foot inspections and using a candle to kill lice, while some did trench maintenance, such as filling sandbags. Leisure activities included playing checkers or chess, using buttons as game pieces. There was a lot of waiting around, and Biddiss wanted the extras to capture the looks of “complete boredom. ” The real messengers of WWI The film’s plot centers on the two messengers sprinting across No Man’s Land to deliver a message, and that’s where the creative license comes in. In reality, such an order would have been too dangerous to assign. When runners were deployed, the risk of death by German sniper fire was so high that they were sent out in pairs. If something happened to one of them, then the other could finish the job. “In some places, No Man’s Land was as close as 15 yards, in others it was a mile away, ” says Doran Cart, Senior Curator at the National World War I Museum and Memorial in Kansas City. The muddy terrain was littered with dead animals, dead humans, barbed wires and wreckage from exploding shells—scarcely any grass or trees in sight. “By 1917, you didn’t get out of your trench and go across No Man’s Land. Fire from artillery, machine guns and poison gas was too heavy; no one individual was going to get up and run across No Man’s Land and try to take the enemy. ” Human messengers like Blake and Schofield were only deployed in desperate situations, according to Cart. Messenger pigeons, signal lamps and flags, made up most of the battlefield communications. There was also a trench telephone for communications. “Most people understand that World War I is about trench warfare, but they don’t know that there was more than one trench, ” says Cart. “There was the front-line trench, where front-line troops would attack from or defend from; then behind that, kind of a holding line where they brought supplies up, troops waiting to go to to the front-line trench. ” The “bathroom” was in the latrine trench. There were about 35, 000 miles of trenches on the Western Front, all zigzagging, and the Western Front itself was 430 miles long, extending from the English Channel in the North to the Swiss Alps in the South. April 6, 1917 The story of 1917 takes place on April 6, and it’s partly inspired by events that had just ended on April 5. From Feb. 23 to April 5 of that year, the Germans were moving their troops to the Hindenburg Line and roughly along the Aisne River, around a 27-mile area from Arras to Bapaume, France. The significance of that move depends on whether you’re reading German or Allied accounts. The Germans saw it as an “adjustment” and “simply moving needed resources to the best location, ” while the Allies call the Germans’ actions a “retreat” or “withdrawal, ” according to Cart. In either case, a whole new phase of the war was about to begin, for a different reason: the Americans entered the war on April 6, 1917. A few days later, the Canadians captured Vimy Ridge, in a battle seen to mark “the birth of a nation” for Canada, as one of their generals put it. Further East, the Russian Revolution was also ramping up. As Matthew Naylor, President and CEO of the National World War I Museum and Memorial in Kansas City, Mo., says of the state of affairs on the Western Front in April 1917, “Casualties on both sides are massive and there is no end in sight. ” Correction, Dec. 24 The original version of this article misstated how WWI soldiers de-loused themselves. The troops used a candle to burn and pop lice, they did not pour hot wax on themselves. Write to Olivia B. Waxman at.
1917 命をã‹ã‘ãŸä¼ä» Free
Once again looking at at the 9 and 10 reviews of this one cant help but think the majority must be company shills pushing their company's product. 1917 is an OK movie perhaps maybe even a good movie but certainly not a great movie. A great movie has as its bedrock a great story line and plot. This comes up well short in the plot department. WWI was chaos without doubt but the military was not commanded by complete idiots as the plot line would have us believe. There is no possible such an incredibly import job would be handled in the way portrayed. The movie was full of cliches and the usual war movie tropes. 1917 has been promoted as a "one take" movie but. it isn't. Dont get me wrong, the camera work is outstanding but the rest. not so much. The settings just failed to achieve realism in most cases. trenches too clean for one thing. Even the No-Man's land carnage didn't look. right! The is a solid 6 and maybe I might be convinced to stretch it to a 6.5 but it certainly isn't a 10. An Oscar winner? Given the hype it could be a chance but the right movie quite often doesnt win the Best Movie Oscar, afterall Hollywood has always been politics over substance. One final note. The Helmets the Brits were wearing. something about them was not right and that was a distraction throughout the movie. A great movie would get the details right.
Overview Wiki Plays 43, 041, 498 Ratings 35, 863 Favorites 24, 103 Published Sep 19, 2008 Related Categories Side Scrolling Army Tactical Historical War Artillery Classic Description Lead the British or German army through the trenches of Europe in this First World War strategy game. Use infantry, armor and fire support to take control of the ground or bombard your foes into submission. - 2 Campaigns. British and German. - Custom battle mode. Setup skirmishes the way you want! --------------------------------------------------- Any and all feedback is welcome. Feedback about balance is more than appreciated. Just remember to quote the version number. UPDATE! Warfare Online is OUT NOW on Steam. Play Warfare Online Now for Free Controls Instructions in game. Commenting Rules & Guidelines Hate ads on your game page? So do we! Ads are distracting, can get in the way of your gaming, and sometimes slow down your computer. Sign-up for Ad-Free Gaming and get rid of ads for as long as you choose. Why does Armor Games have ads? Making original games costs a lot, and whenever you visit this website, we pay bandwidth charges. Ads help pay for these.
1917 命をã‹ã‘ãŸä¼ä» Free watch blog. 1917 命をã‹ã‘ãŸä¼ä» Free watch now. 1917 命をかけた伝令 Free watches. Não vi uma gota de sangue. É uma guerra sem sangue q chato. 1917 命をã‹ã‘ãŸä¼ä» Free watch video. 1:20 alguém sabe o nome da música, pfvv. 1917 命をã‹ã‘ãŸä¼ä» Free watch dogs. 1917 命をかけた伝令 Free watch now. “He just fired a nuclear weapon from his shoulder” The four barrel rocket launcher is in fact a real weapon. Its the M202A1. Its a 66mm incendiary launcher. It was designed to replace the flamethrower. There are videos of it firing on YouTube. Look it up. It is far from as spectacular as Hollywoods portrayal, but it is a real weapon.
Find Out More Choose a format and edition 4K Ultra HD Standard Edition 4K Ultra HD + Blu-ray + Digital 4K Ultra HD + Blu-ray + Digital Buy Now Blu-ray Standard Edition Blu-ray + DVD + Digital DVD Standard Edition DVD Digital Digital Original Version On Demand On Demand. 1917 命をかけた伝令 Free watching. 1917 命をかけた伝令 Free watchers. ' he fired a nuclear weapon from his shoulder' and this dude was in the sas thats sad the flash was a replacement to the flamethrower not a nuclear weapon. About the thing you say about the characters: i believe this movie was completely meant to be am experience, to merge the individual watching into what a soldier in WWI would experience. That's why I think they didn't go crazy with developing characters. I think they wanted you to immerse in that world, and in order to do so, they needed some story (these 2 allies) but if they had developed more story behind them, the focus would shift to them instead of wow, this is what I'd experience if I were there. Idk, that's how I see the movie.
Disney be running out of Ideas soon they gonna make a live-action movie about me and the old man.
/ Who would have thought that only moments after arriving at Rome for their honeymoon, the young and pure bride, Wanda, would sneak out of the room, leaving her fastidious groom, Ivan, all alone? Obsessed with the masculine Fernando Rivoli--the hero of her favourite romantic photo-novel, The White Sheik--Wanda plucks up the courage to meet him in person, only to be seduced by the arrogant protagonist, so far away from the hotel and her husband. As a result--perplexed by Wanda's strange disappearance, and unable to disclose the news to his family--Ivan meanders through the ill-lit Roman streets in search of his wife, on pins and needles, waiting for their eleven o'clock appointment with his uncle and the Papal Audience at the Vatican. What does the new day have in store for the separated newlyweds?
Im I the only one having the feeling that Arjun Kapoor doesnt have the gravitas to play this role 🧐. Lallantop pehale tum khud History padh k aao...
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En brazos de un asesino english. En brazos de un asesino wiki. In as actually wanted to see the movie because I'm a big William Levy fan and a romance sucker. So I loved the idea of the storyline. It being in Spanish made it that much more awesome. William and Alicia played great chemistry between their characters even not long after they met each other in character you can see the chemistry "Victor" and "Sarai" gave off each other without words. And I felt the action was there in the movie. I'm hoping they continue the book series into movies.
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. Countries: USA. Runtime: 72Minute. 97 votes. directors: Jack Henry Robbins. Vhyes reviews. “Alright phahuk calm the phahuck. down” Thats it Im watching it.
French divide parcours. DRAKKEN IS SUPPOSED TO BE BLUE AND RUFUS WAS ALWAYS IN THE PICTURE. New movie: meh Hugh Grant aka huge grant is in the movie: say again.
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